Tech Deck Yugioh 2010

Parsifal

This year has started my run-up to the Royal works and begin with a piece chain: Wagner's Parsifal, the last work of his master, who combines a rock drifts Christian with Buddhist influences.
start with the plot: At Mount
Monsalvat Amfortas has built a hermitage where preserves the Holy Grail and the Spear of Longinus. Here live the Knights of the Grail, which feed the light of the relic and exempt the property in the world. In the nearby valley is stable Klingsor, a knight who has resisted the calls of the flesh and was seduced by the dark side of Light. He created a garden in the valley where temptation leads in all the Knights who pass as well as Amfortas lost it falls victim to the spear and was wounded. The wound does not heal in the body when it is not so much as the soul. This retreat comes Parsifal, the chosen one, but has no memory of whether or faith.
In the first act we are introduced to the hermitage, we know the story from the words of Gunremanz, First Knight of the Grail, Parsifal know and witness the ritual of the Grail, which produces a lot of pain to Amfortas.

Act II scene I Klingsor and Kundry
sketch staff

In the second act we find that subjects Klingor Kundry, a woman who once mocked the supreme and is now living in two divided personality: the one friend of the Knights and their other seductress, has also seduced Amfortas. Kundry now he has to seduce Parsifal. The hero enters the garden of the magician and almost fell under the influence of Kundry fne but understands the significance of the wound of Amfortas and the woman away. Klingsor who spoke scanglia against Lance but that stops in midair, Parsifal takes the track with it the sign of the cross and the kingdom of the magician vanishes.
third act, it's been several years, has Monsalvat inarridita, Amfortas can no longer bear the weight of the ritual of the Grail. And now back to Parsifal, after defeating Klingsor, has finally found the road. Forgive Kundry and Amfortas sound and the light is shining again on Friday. Already
the plot can be seen only when the work can be complex, if one thinks that is all played on a Christian ethic mixed with Buddhism in which man stands alone to overcome the temptation of his mortifications to run away is strong, but then it does not. Of course sometimes if you are so stubborn to want to follow everything, then you are in front of a wall of verbiage unshakable, yet if you let it carry only the melody. albeit very slow. a unique harmony that will cradle and makes you spend four hours work without ever worn.
the end it's worth it, then at the Royal was the scene of a conceptual artist Paolini G estimated that reproduces very well the sense of light in the face of reason. The scenes of Act II is a wonderful play of colors and shapes that play with sexual symbolism.